Paxton is then captured and finds himself strapped in a chair. Now fully on guard and not believing her, he calls her a bitch, to which she retorts “I get a lot of money for you, and that makes you MY bitch.” Paxton walks past a doorway and sees his friend lying prone on the table, his stomach wide apart as the would-be surgeon operates. There are doorways leading off to the sides of the hall, each having a light outside, some are red and some are white. The inside is dark and decrepit, with old concrete brick walls resembling a medieval castle. She directs him through a doorway, following him. Paxton recognizes the smokestack and is on edge. The two take a cab to an old unused factory. He then forces her to take him to this art show. He corners Natalya in a tiny bar, who tells him that his friend went to an art show. He confronts the desk clerk (Milda Jedi Havias) and is told that Josh has checked out. He stumbles back to the hotel and finds that his friend Josh gone. He is found the following morning and told to leave. He tries to find the restroom, but inadvertently locks himself in a storeroom. Scene change and Paxton is now being lured by the two women to another night of party, where he is drugged and sick. But, just as he almost reaches the doorway, the man grabs his legs and yanks him.
He falls down and begins squirming toward the door. His Achilles tendons are graphically portrayed as being severed. In one of the most gruesome scenes of the film, Josh stands up and steps forward.
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The man unlocks Josh, telling him he is free to go. The man ponders and then bends down out of the camera’s view. The man waves the scalpel at Josh, explaining that he really wanted to be a surgeon, but couldn’t and holds up his hands to show Josh why…they are chronically shaking. After a few punctures, the man tosses the drill back onto the table and selects a scalpel. The man doesn’t care and goes to a table covered with various gruesome implements, selects a cordless drill and proceeds to drill holes into Josh’s thigh. The man pulls off Josh’s hood and Josh begins to plead.
The heavy wooden door opens hooded and an older man with a heavy accent (Jan Vlasak), enters, dressed in a surgical face mask, a rust colored jumpsuit covered with a thick black rubber apron. The scene changes to a hooded Josh, peeking through a single hole and chained to a chair. Paxton, using the photograph as a guide, tries to hunt for and narrow down where their friend might have gone. When Kana (Jennifer Lim), an oriental tourist, receives a cell picture of Oli and her friend standing before a tall smokestack, she shows the frantic friends. Unbelieving, they attempt to contact him by cell to no avail. While in Amsterdam, they visit the smoke shops, the red light district and a rave, where they meet Natalya and Svetlana (Barbara Nedeljakova and Jana Kaderabkova), two seemingly hot to trot young women.Īfter spending the night together, Oli ends up missing and the two are perplexed when told that he had checked out and went home. Paxton (Jay Hernandez) and Josh (Derek Richardson) are two Americans backpacking across Europe basically having the time of their lives with a befriended Icelander named Oli (Eythor Gudjonsson), who fancies himself the King of Swing. And, considering that the film is presented by Quentin Tarantino, and written and directed by Eli Roth, does it really surprise? Touting welcome to your worst nightmare, and rightfully so, Hostel is certainly one of the most gruesome films ever created.
Three backpackers head to a Slovak city that promises to meet their hedonistic expectations, with no idea of the hell that awaits them.
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